前身是皇軍(jun1 )軍港(🆓)的吳港,戰後成為(wéi )船(🍩)塢工人的生活煉獄。在資本(🤴)家剝削(🔧)和枯燥生活(huó )的雙(🌰)重煎熬下,躁動的年輕(qīng )生(🌫)命(mìng )(👋),一頭栽(zāi )(❣)進暴力漩渦,延(🖲)擱(gē )成長,終日(rì )在打(dǎ )鬥、賭博、(👁)酗(🙍)酒中尋找暫時(🚉)的麻醉。吉田喜(🎿)重通(🥞)過工頭之眼,對(🚸)不合(🚑)理的(🥀)社會(huì )現(xiàn )實作(🤷)出欲迎還拒的批判,被視(shì )為日(🚨)本新(xīn )浪潮代表(biǎo )作之一(yī )。香山美子(zǐ )飾演純(chún )真(zhēn )(📙)的酒館(guǎn )女(🏂)待,同情工人卻慘(cǎn )被強姦,正與負的能(🥫)量,在大時代中比拼(😍)互滲(shèn ),可有(yǒu )超越對(🕐)與錯,是與(yǔ )非的(🕯)位置?片末火車站送別一(yī )(🥊)場(chǎng ),在家(💍)和社會之(zhī )間,吉(🏻)田(🐛)喜重作出(👪)了左翼的選擇(🌼)。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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